Songs Of The Papago Side A
Recorded and Edited by Frances Densmore
Folk Music Of The United States Issued from the Collections of the Archive of American Folk Song L31
The culture of the Papago is entirely different form that of the plains and north woodland tribes whose songs have already been presented. The Papago are a desert people who early home was chiefly south of Tucson, Arizona, extending into Sonora, Mexico. They are an agricultural tribe and formerly cultivated beans, cotton and other crops by irrigation. At present their principal crops are wheat and barley, and they raise cattle to a considerable extent. By nature an industrious people, they are now finding employment in various activities incident to the coming of the white race. They were not lacking in bravery in the old days, as shown by their expeditions against the Apache. The women are expert basket-weavers, and both their baskets and pottery resemble those of the Pima rather than those of the Pueblo.
The study of Papago music forms part of the writer's research on Indian music for the Bureau of American Ethnology* and was begun at San Xavier village, near Tucson, Arizona, in February, 1920. It was continued in November and December of the same year at Sells, more than 60 miles west of Tucson, where the U. S. Indian Agency is located, songs were also recorded at Vomari village about 7 miles from Mexican border and a trip was made to Santa Rosa village in the extreme northern part of the reservation where information was obtained and photographs taken.
As in other tribes, the principal subjects of study were those in which the people were most interested, among the Papago these being legends, ceremonies and the treatment of the sick. The number of songs recorded and transcribed was 167, from which the present series was selected. Fifteen men and women recorded songs, nine being represented in the present series. The principal interpreters were Harry Encinas at San Xavier and Hugh Norris in the other localities. Both were familiar with the old way and were of great assistance.
The musical instruments used by the Papago are the gourd rattle, scraping (or rasping) sticks, basket-drum and flute. The gourd rattle is used with songs to bring rain and songs with treatment of the sick. The instruments resembles that used in other tribes but the manner of shaking it is more varied. The scraping sticks resemble the morache of the Northern Ute, a short stick being drawn upward and downward across notches cut in a long stick which is held in the hand or placed on a basket-drum as a resonator. Any basket of medium size may be used as a drum by inverting it on the ground and striking it with the hands. Three or four men may play this at once, kneeling beside it and striking it with their hands. As an accompaniment to certain songs the basket is stroked with a short stick, producing a soft, pleasant sound. The flute is made of cane and its construction is no of present interests.
*Pagago Music, Bulletin 90, Bureau of American Ethnology, 1929.
The study of Papago music forms part of the writer's research on Indian music for the Bureau of American Ethnology* and was begun at San Xavier village, near Tucson, Arizona, in February, 1920. It was continued in November and December of the same year at Sells, more than 60 miles west of Tucson, where the U. S. Indian Agency is located, songs were also recorded at Vomari village about 7 miles from Mexican border and a trip was made to Santa Rosa village in the extreme northern part of the reservation where information was obtained and photographs taken.
As in other tribes, the principal subjects of study were those in which the people were most interested, among the Papago these being legends, ceremonies and the treatment of the sick. The number of songs recorded and transcribed was 167, from which the present series was selected. Fifteen men and women recorded songs, nine being represented in the present series. The principal interpreters were Harry Encinas at San Xavier and Hugh Norris in the other localities. Both were familiar with the old way and were of great assistance.
The musical instruments used by the Papago are the gourd rattle, scraping (or rasping) sticks, basket-drum and flute. The gourd rattle is used with songs to bring rain and songs with treatment of the sick. The instruments resembles that used in other tribes but the manner of shaking it is more varied. The scraping sticks resemble the morache of the Northern Ute, a short stick being drawn upward and downward across notches cut in a long stick which is held in the hand or placed on a basket-drum as a resonator. Any basket of medium size may be used as a drum by inverting it on the ground and striking it with the hands. Three or four men may play this at once, kneeling beside it and striking it with their hands. As an accompaniment to certain songs the basket is stroked with a short stick, producing a soft, pleasant sound. The flute is made of cane and its construction is no of present interests.
*Pagago Music, Bulletin 90, Bureau of American Ethnology, 1929.