The Kiowa
Plains: Comanche, Cheyenne, Kiowa, Caddo, Wichita, Pawnee
Recorded and Edited by Willard Rhodes
Folk Music Of The United States Issued from the Collections of the Archive of American Folk Song L39
The Kiowa are reputed to be the bravest, most courageous, most warlike of the tribes of the Southwest. After leaving their traditional home in the mountain region of what is now western Montana, they moved southeast, where they met the Crow and with whom they made a friendly alliance. With the acquisition of horses, they drifted out on the plains, where they established themselves as an important and formidable tribe. About 1790, after years of warfare, they made peace with the Comanche, an alliance that served as the basis for the Kiowa-Comanche reservation in Oklahoma where the two tribes were settled later.
The Kiowa were noted for their pictograph records in the form of calendar histories in which a specified event of tribal importance was recorded for each summer and each winter by paintings made on skin. The calendar is complete from 1832-33 through 1892. George Poalaw, a Kiowa, continued the record from 1893 until 1939 when he died. A number of Kiowa artists of the twentieth century have gained national and international acclaim for their watercolor paintings.
The tribal organization and sense of solidarity came to an end for the Kiowa as it did for other tribes when allotments of 160 acres were made to each member of the tribe and the surplus tribal reservation land was opened to the whites. Once the Kiowa capitulated to the United States government and accepted the restrictions of a sedentary life, they made remarkable progress in adjusting themselves to an alien civilization. Today they live on their farms and fulfill their responsibilities as citizens of the state and the nation. Their personal and business interests are represented by their elected members on the Kiowa-Comanche-Apache Intertribal Business Committee.
The Kiowa were noted for their pictograph records in the form of calendar histories in which a specified event of tribal importance was recorded for each summer and each winter by paintings made on skin. The calendar is complete from 1832-33 through 1892. George Poalaw, a Kiowa, continued the record from 1893 until 1939 when he died. A number of Kiowa artists of the twentieth century have gained national and international acclaim for their watercolor paintings.
The tribal organization and sense of solidarity came to an end for the Kiowa as it did for other tribes when allotments of 160 acres were made to each member of the tribe and the surplus tribal reservation land was opened to the whites. Once the Kiowa capitulated to the United States government and accepted the restrictions of a sedentary life, they made remarkable progress in adjusting themselves to an alien civilization. Today they live on their farms and fulfill their responsibilities as citizens of the state and the nation. Their personal and business interests are represented by their elected members on the Kiowa-Comanche-Apache Intertribal Business Committee.